Celebrate the release of Glue's debut album "Canned," a record critics are calling, "exceptionally good, and even better live!" For the first time (and likely the last), Glue will grace the stage to bring this indie rock album to life. Before Glue, enjoy performances by Lane, one of the greatest bands to dance to in all of Boston. And don't miss Ladybeetle who will play guitars with lots of distortion and loud drums while singing beautifully. Truly a various, splendid show for the ages.
Ladybeetle Bio: Ladybeetle is the shoegaze/alternative folk project of 21-year-old songwriter/ producer Cameron Woody. She grew up in Greensboro, North Carolina. She is a big fan of “fuzz”. She is currently into zines, breakfast sandwiches, and romance on film. She likes things that are loud and sparkly and warm, so that is what she makes. She hopes Ladybeetle makes you jump around and go YEAH! Ladybeetle is currently based in Boston, MA. Her debut album is set for release in summer 2025.
Glue is a bunch of songs by Sean Antongiorgi. They’re played by him and his friends. There's a record coming out on the 25th of January and it's called “Canned” because that’s how a lot of the songs feel, and additionally how Sean felt for sometime. The songs are loud and quiet and flit about the genres of indie pop music Sean likes most. Sean will continue to make music of various qualia till his end.
Lane
website: https://lanetotalwar.bandcamp.com
bio: Lane stands out as a truly unique voice in guitar-based DIY by taking a relatively clean approach; light on heroics, heavy on interplay—pyrotechnics without the FX.
Wes Kaplan (guitar, vox) formed Lane in Boston in 2019, quickly attracting members of Palehound and Guerilla Toss, eventually congealing into its present trio rounded out by Jolee Gordon (vocals, also of Houndsteeth) and Julian Fader (drums, vocals, production, also of Ava Luna), with the live lineup including Max Kennedy (Big Fuzzy) and Sam Potrykus (Groan Man).
Expanding on their 2020 debut Copse, Lane’s second album, Receiver serves up twice the hooks in half the time, with showstopping mini-chorales, classical song forms, and a fresh lyrical approach with riffs on everyone from Wallace Stevens to Joey Ramone